Every once in a while a movie comes out that is SO niche and SO insane that it blows me away how it even got made. Luckily for me the insane niche that this movie tackles just happens to be one of my all time favorite subjects. I’m talking about Italian giallo cinema. The Editor is both a total parody, and at the same time an absolute celebration, of one of horror’s greatest subgenres. If you’ve seen any Dario Argento or Mario Bava movies at all, you at least have an inkling of what you’re in store for with this film. Holy crap, I love The Editor. At times while watching it I felt like it was tailor made for me. But you should know ahead of time that this is a TOTAL niche film and is definitely not for everyone. I would guess the majority of people will have no clue what the hell this movie is trying to do, and dismiss it entirely. So be it. For the rest of us, we’re in giallo heaven. Honestly, I’m finding myself at a loss of where to even begin talking about this movie to a general audience. Hmm, well, let’s start with saying that Italian giallo’s have some very specific aspects to them. There’s a lot of sex. There’s a lot of violence. There’s a lot of sexy violence, as well as violent sex. The whodunit mystery plots usually revolve around a serial killer, usually killing women, and usually black gloved. There’s a ton of bold color saturation, insane lighting, hyper-realistic camera moves and some insane visuals. Oh, and let’s not forget about the bad English dubbing (and acting). The Editor has all of this in spades, including the bad English dubbing! Oh man, this film is hilarious. It is so violent there are moments that give early Peter Jackson a run for his money. But the violence is so over the top, it hardly seems real at all. This film is about an editor that was supposedly the best in the world before he had a nervous breakdown and cut off all his fingers. Now he was unable to edit anymore and finds himself working on sleazy films to make ends meet. But when people on the production start dying all around him, he becomes the key suspect. It’s just amazing how apt this movie is at playing with the genre it’s mocking. But the filmmakers obvious love giallo films, because even when it’s making fun of them, you can tell it’s because they love them. Look, there’s hardly anything else I can say about this insane movie. If you love giallos, have a warped sense of humor, and don’t cringe at a ton of violence, sex and nudity, then you’re in for a treat. Oh, and Udo Kier has a small part too, as if you needed any more reason to watch.