Yep, Saw. Deal with it. In honor of its 10th anniversary today, and thus it being rereleased in theaters, I had to put Saw on this list. I know a lot of people can’t stand this movie because of its uber-violence. Hell, it even helped usher in a legion of copycat “torture porn” films, which mostly all sucked. But to dismiss Saw is a complete mistake. There’s a reason why Saw spawned so many sequels. There’s a reason why every single Saw movie made a shitload of money each Halloween. There’s a reason why Saw stuck in our collective brains when so many other horror films came and went. Saw is a clever, unique, and twisted little movie. This was James Wan’s debut as a director, a horror genius I’ve already talked at length about because of The Conjuring, Dead Silence, and Insidious. Here with Saw, he comes out of the gate with a film that packs a serious punch, has a ridiculously intriguing hook, and some fantastic twists (not to mention a jaw-dropping ending). I had tickets to the premiere of this at Sundance back in January of 2004. What’s that you say? Sundance? Yep, shocker, ladies and gentleman, but Saw was a Sundance movie. You forget that before all the studio love, this was a small indie horror flick made on a tight budget. As most of you know, the fantastic hook of this movie is that the serial killer here doesn’t outwardly kill anyone, but rather forces them to take place in sadistic games that gives them a chance to survive if they solve the riddle correctly. Aptly named Jigsaw, this killer creates these punishing games with a moral sensibility. Each victim has made a bad life choice, and he’s trying to teach them a lesson. This is wonderfully exposed in the character of Amanda, the sole survivor of one of his “games”, and *SPOILER ALERT*, someone who plays a much larger role in the upcoming sequels. It has a fantastic opening of two men waking up in a room, chained to the pipes, and a dead body between them. Why are they there? Who is each man? Who is the dead man in the middle? Oh man, such a great way to open a film. And of course there’s the lines, “He doesn’t want us to saw through our chains. He wants us to saw through our legs.” Those lines in the ad campaign sent this film through the roof. Yes, it’s brutal. Yes, it’s hardcore. But yes, it’s also clever and worthy of all the love. On its 10th anniversary, if you haven’t seen it, finally bend, and give it a view. Just know you might be watching certain parts through your fingers.